Writing about Contemporary Maya Art on Twitter

Last week, Ángel Poyón asked me to translate a brief description of a recent piece, Kaxlanwäy (2019), for a social media post he was working on. I did just that, and since I enjoyed it so much, I asked him for permission and then put it up in a tweet. And since that was so much fun, I decided to do it again, this time featuring the work of Marilyn Boror Bor, a Kaqchikel artist working in Guatemala City. And so here we are, I’m now writing fun threads about contemporary Maya art.

This latest thread was a bit more extensive since I thought about it as a thread and I asked Marilyn to send me photos. She sent me a bunch and I managed to include quite a few. Check it out:

I just *had* to include this photo. After many months of social media-ing, I had the good fortune of visiting Marilyn this past summer.

To learn more about Marilyn’s work, head over to the Twitter.* And yes, I’ll try to do a bunch more of these threads since the work that Maya artists are putting out is pretty sharp and deserves our attention. That, and in case you haven’t heard, some amazing contemporary Maya art will be making its way to the National Art Gallery of Canada this November, for the second Contemporary International Indigenous Art exhibition, Àbadakone | Continuous Fire | Feu continuel, which will feature more than 70 artists from all over the globe.

*I’m being facetious. Kind of. I’m fairly new at the Twitter.